Sunfest 2017 Preview: Days 3 and 4

Meyer Before Sunfest
The Meyer Amphitheater just prior to Sunfest, soon to be relabelled the Tire Kingdom stage for the duration of the festival

[Typist’s Notes: The 35th edition of Florida’s largest music-and-art waterfront festival has gotten off to a good start, despite the weather alert last night that delayed the start of both headlining sets, by Ben Harper, and Macklemore & Lewis. So look out for concert reviews and photographic coverage soon…]

Here are some of the likely highlights of the weekend portion of Sunfest, already in progress:

Day 3: Empress K is already at the festival, covering Yvad, former lead singer of The Wailer (post-Bob-Marley, of course). I will be heading up to take in the two headliners, Ziggy Marley, Bob’s oldest son and the winner of the 2017 Reggae Grammy, and Flo Rida, local rapper made very good indeed. But I might also try to get there in time to take in Tinashe, a young R&B singer from California with Zimbabwe roots.

Day 4: The last two days of the festival have the longest schedules, so in addition to a lot more acts, they also feature a lot more diversity in terms of genres. Eclectic Miami band Magic City Hippies is one of the earliest bands on the schedule, then in the mid-afternoon Sunfesters have their choice between classic rock (Night Ranger, Loverboy) or reggae-rock (Stick Figure, Dirty Heads). Night Ranger boasts a string of hits easily recognizable to anyone within earshot of an American radio in the ’80s, including the monster power-ballad hit “Sister Christian.” Canadian rockers Loverboy can say the same, with its big hit “Working for the Weekend” still a staple of Friday-afternoon radio. Cult figure Stick Figure will pass the baton to popular California band Dirty Heads, best known for its hit “Lay Me Down.”

The best known of Saturday’s headliners is alt-rockers 3 Doors Down, recently in the news as one of the few rock acts to play January’s inauguration.

 

Avocado Grill Sign
Datura Street restaurant Avocado Grill wanted its patrons to know it was open despite all the pre-festival construction

 

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